Even after theaters reopened, some moviegoers have been reluctant to return to their seats. Cinemas were closed and film production halted for months. The theater industry as a whole was hit hard by the pandemic. Apple bought the film at Sundance Film Festival for a record $25 million. It played at Santikos theaters for just one week before opening on Apple TV+, taking the movie’s audiences out of theaters, Brooks said. “CODA,” which recently won an Oscar for best picture, is an example of the new reality. Traffic Stop is an eye-opening look at one woman’s frightening experience - an experience felt by far too many black people in this country.Beyond that, the “art-film dynamic is changing,” said Andrew Brooks, Santikos’ executive director of marketing and sales. In Traffic Stop, director Kate Davis interviews King about her childhood, her career as a teacher and how the confrontation between her and the officer changed her life forever. It’s a fascinating journey as we watch these committed individuals breathe life into an exciting new business and leave their criminal history behind by finding pride in their next calling.Īfrican-American school teacher Breaion King lives through a nightmare scenario in Austin in 2015 when she is pulled over by police for speeding and is violently arrested. Doubling as a culinary school, the restaurant recruits former inmates for a challenging six-month training course that puts aspiring employees’ feet to the fire. and puts a face on those willing to reach out and give guidance.ĭirector Thomas Lennon takes viewers into a classic French restaurant in Cleveland, Ohio, run by men and women transitioning from the prison system in Knife Skills. Director Elaine McMillion Sheldon delivers an unflinching and realistic look at the problem of drug use in this specific corner of the U.S. Heroin(e) In Heroin(e), three women - Jan Rader, a fire department deputy chief Patricia Keller, a drug court judge and Necia Freeman, a volunteer for a nonprofit that feeds the poor - do all they can to make a positive change in the lives of drug addicts living in Huntington, West Virginia, a city with an overdose rate that is 10 times the national average. taps into a range of emotions and exhibits hate in its most primal form. Moving and infuriating, writer/director Kevin Wilson Jr. Williams), who can only plead with the two white men who force their way into his home and kidnapped his nephew. Playing out like a highly-entertaining comedy routine, The Eleven O’Clock is a flat-out riot.īased on the 1955 murder of 14-year-old Emmett Till in Money, Mississippi, My Nephew Emmett tells the true story of the night Till (Joshua Wright) was killed for a minor encounter that took place earlier in the day between him and the wife of one of his murderers from the perspective of Till’s great-uncle Mose Wright (a subtle yet striking performance by L.B. The back-and-forth dialogue is exceptionally clever as we watch “real” doctor Terry Phillips (Josh Lawson of TV’s House of Lies and the film’s screenwriter) attempt to corral his patient’s mind back into their therapy session before he loses his own. Quirky in its delivery, The Eleven O’Clock stars actor Damon Herriman (TV’s Justified) as “Dr.” Nathan Klein, a delusional patient who has scheduled an appointment with a new psychiatrist thinking he, too, is a psychiatrist. Connecting the tales together through the Big Bad Wolf and his lupine family, Revolting Rhymes doesn’t capture the same enchantment as either the original fairy tales or Dahl’s book, but should get a pass from most indiscriminate children. Fox), offers audiences an alternative take on popular fairy tale characters like Little Red Riding Hood, the Three Little Pigs and Snow White, by blending their stories together into a medley of minor amusement. Revolting Rhymes, based on a collection of poems by late author Roald Dahl ( Charlie and the Chocolate Factory, James and the Giant Peach, Fantastic Mr. Originally released last summer before Cars 3, Lou is cute and playful enough although the final moral-of-the-story homestretch doesn’t make much sense. This time, Pixar’s LOU tells the tale of - well, actually, we’re not really sure what “Lou” is, although he (?) gets very upset when an elementary school bully starts stealing the items from inside a lost and found box where he lives. LOU What animation contest would be complete without an entry from Pixar or Disney? At least one of them has received a nomination in the last seven Oscars.
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